Fashionably bound and worn Fashionably bound and worn on the person, they transformed the space of fashion into a zone of spectatorship within which women operated as equivalent to their male counterparts as authors, subjects of art, critics, and audiences. Strobel, eds. Materializing Gender in Eighteenth-Century Europe. Michaela Reichel and Hans Thomsen. Exhibiting Enlightenment: Chardin as tapissier more. More Info: Eighteenth-Century Studies More Info: Journal of Curatorial Studies 2.
Studio As History more. After the failure of the twentieth century's avant-gardes to liberate art from the confines of class and institution, it is perhaps necessary to re-examine the structures of those very confines.
A work of speculative historiography, this essay ranges among Greek history, Scholasticism, Romanticism, and phenomenology. Call For Papers. In the context of art-historical debates over globalization and the post-global, and art histories not structured by the Western hierarchy of genres, what can be learned from landscape?
The collapse of the biosphere, resurgent nationalisms, the ubiquity of surveillance, migration and statelessness reflect the political dimensions of landscape in the 21st century just as they prompt the rethinking of past landscapes.
How have evolving epistemologies and disciplinary frameworks for understanding landscape shaped its artistic manifestations? What challenges do concepts of the anthropocene or the posthuman pose for understanding landscape? What are the afterlives of landscape-concepts such as the sublime, the picturesque, the pastoral?
Papers exploring methodologically innovative approaches to landscape are particularly welcome. Submissions are welcome for papers to be given in either French or English; they must be sent to the session chair Ryan Whyte [ rwhyte faculty. Submissions must include: the name and email address of the applicant; the applicant's institutional affiliation and rank; the paper title; an abstract words maximum ; and a brief bio words maximum.
Submissions must be provided as an editable document, preferably in MS word. Proposals may be submitted by current members or non-members of UAAC. Membership dues and registration fees must be received by September 15, Ryan Whyte. I'm Professor Whyte Submit a Correction. Professor Whyte's Top Tags. Amazing lectures Clear grading criteria Gives good feedback Inspirational Get ready to read.
Jan 27th, For Credit: Yes. I have the biggest professor-crush for Ryan. He is just so intelligent, knowledgeable, and interesting to listen to. Absolutely in love with his teaching abilities and lectures. Had such an easy time focusing. I wish OCADu professors were more like him. Like, all the lecturer professor need to take notes from him. He's just that amazing.
Dec 5th, Ryan is always open to discussing the topic even if comments, thoughts or questions are on a side note of it, or more into the back story and reasons for the theme. He'll go into detail or clarify things whenever a student asks. Jul 1st, Great lectures, very specific and inspiring. Tests rely heavily on lecture content.
Memorise those dates! This course covers so many regions and cultures. Jul 22nd, By far my favorite lecture prof yet. His lectures are heavy with information, but he manages to make it easy to follow along and brings a sense of humor to them.
Excellent experience, wish he taught more lectures!! Mar 4th, Really engaging, you really learn, I love to take notes in his class, everything he says is helpful and clear, absolutely everything, you read over your notes and they are clear as water, thats how good of a teacher he is. He knows his stuff and hopefully he teaches more courses!
Dec 21st, A really great art history prof. He works hard to make lectures fun, and usually stops a little bit early, especially if he notices that people aren't really engaged. Stops every so often to answer questions and always does with a lot of detail and clarity.
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